{"id":22750,"date":"2026-05-20T11:31:07","date_gmt":"2026-05-20T09:31:07","guid":{"rendered":"https:\/\/finncult.be\/?p=22750"},"modified":"2026-05-20T15:43:14","modified_gmt":"2026-05-20T13:43:14","slug":"white-nights-a-site-specific-exhibition-at-aaltosiilo-oulu","status":"publish","type":"post","link":"https:\/\/finncult.be\/fr\/white-nights-a-site-specific-exhibition-at-aaltosiilo-oulu\/","title":{"rendered":"White Nights: a site-specific exhibition at AaltoSiilo, Oulu"},"content":{"rendered":"

Jaakko Myyri, Jihyoung Han, Dan Kim, Ju-Ae Park, Jin Hong, Grim Park<\/strong>
\nWhite Nights
\n<\/em>AaltoSiilo, Oulu, Finland<\/a>
\n4\u201314.6.2026
\nOpening: 3.6.2026, 18:00\u201321:00<\/p>\n

White Nights<\/em> is a site-specific exhibition shaped by the industrial architecture of AaltoSiilo, where industrial systems, technological infrastructures, and cultural rituals are approached as active environments in which human action encounters counterforces embedded within the site itself. Through works exploring urban transformation and ecological relations in the context of modernism\u2019s material legacy, human perception no longer stands at the centre, but fractures within systems operating with increasing autonomy.<\/p>\n

Alongside the exhibition, Amsterdam-based Finnish media-artist Jaakko Myyri<\/strong> unveils the permanent public artwork Crow\u2019s Feet<\/em>, built from the original materials of AaltoSiilo. The work builds on a conjunction of industrial modernism and the perspective of avian life, forming a bond through material fragments that offer an elevated, non-human point of view.<\/p>\n

In Jaakko Myyri<\/strong>\u2019s Dweller Model<\/em>, audiences enter an embodied encounter with a system in a state of full automated governance, an auditory system that models an agent moving across the exhibition space as human control begins to slip.<\/p>\n

Jihyoung Han<\/strong>\u2019s Nostalgia Bunker<\/em> installation depicts a transitional state in which the old world has disappeared and the new has not yet fully emerged. The work presents a public telephone booth that references the collapse of social structures such as the state, corporations, and the nuclear family. Its exterior, covered in graffiti and stickers, represents resistance to neoliberal spatial control as well as the self-organization of marginal communities and the redefinition of identities.<\/p>\n

Members of the South-Korean Daeju collective (Dan Kim<\/strong>, Ju-Ae Park<\/strong>, Jin Hong<\/strong>, Grim Park<\/strong>) work site specifically in Oulu through shared making processes, merging elements from Korean and Nordic craft communities. Through video, ceramics and paintings, they treat identity and tradition with collective gestures where cultural memory becomes relationally reshaped.<\/p>\n

Architectural research: Kaisa Karvinen<\/strong>
\nGraphic design: Samuli Saarinen<\/strong><\/p>\n

The exhibition is part of the official Oulu2026 European Capital of Culture programme<\/a>.<\/p>\n

\"\"<\/p>\n

 <\/p>\n

About Jaakko Myyri<\/h2>\n

Jaakko Myyri is an Amsterdam-based Finnish media-artist whose practice is shaped by a continuous interest in digital age\u2019s immateriality and its often imperceptible, unrestricted processes. Myyri lives and works in Amsterdam, where he graduated from the Gerrit Rietveld Academie. His work has been exhibited in solo and group exhibition settings at venues such as LINZ FMR (AT), NEVERNEVERLAND (NL), PuntWG (NL), Het Nieuwe Instituut (NL), Uncut at the Stedelijk Museum (NL) and Noblesse Collection (KR). For the Oulu2026 European Capital of Culture programme, he was invited by Photo North to conduct research in partnership with Oulanka Research Station, studying data and climate systems for his upcoming presentation in Adaptation: Time is Not On Our Side, <\/em>an exhibition which opens in October 2026 at Oulu Art Museum.<\/p>\n

Visit Jaakko Myyri’s website.<\/span><\/span><\/a><\/p>\n

 <\/p>\n

The Finnish Cultural Institute for the Benelux is a communications partner for Amsterdam-based Jaakko Myyri’s work in White Nights<\/em>.<\/p>\n

Cover image: Dweller Model<\/em> (2025) at NEVERNEVERLAND, Amsterdam. Photo: courtesy of Jaakko Myyri.<\/p>\n","protected":false},"excerpt":{"rendered":"

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