{"id":21414,"date":"2025-10-06T14:01:55","date_gmt":"2025-10-06T12:01:55","guid":{"rendered":"https:\/\/finncult.be\/?p=21414"},"modified":"2025-10-13T11:11:39","modified_gmt":"2025-10-13T09:11:39","slug":"benelux-based-choreographers-take-the-stage-at-moving-in-november-2025","status":"publish","type":"post","link":"https:\/\/finncult.be\/fr\/benelux-based-choreographers-take-the-stage-at-moving-in-november-2025\/","title":{"rendered":"Benelux-based choreographers take the stage at Moving in November 2025"},"content":{"rendered":"

We are thrilled to continue our collaboration with Moving in November<\/a>, a yearly contemporary dance event in the Helsinki area. In previous editions, we supported Cherish Menzo<\/strong>\u2019s JEZEBEL<\/em><\/a> and DARKMATTER<\/em><\/a>. This year, we are excited to support Menzo\u2019s performance FRANK<\/em>, the final work in her trilogy, as well as Brussels-based dancer and choreographer Soa Ratsifandrihana<\/strong>‘s performance Fampitaha, fampita, fampit\u00e0na.<\/em><\/p>\n

 <\/p>\n

Moving in November presents: FRANK<\/em> by Cherish Menzo<\/h2>\n

10.11. at 20:00
\n11.11. at 20:00
\nDuration: 1h 30min
\nLanguage: English, French
\nPlease note: The performance contains full blackouts, stroboscopic lights, theatre fog, loud voices and music. There is a lot of talk about death in the texts and one of the songs of the show refers to colonialism. Lyrics of that song refer to killing human children.<\/p>\n

Tickets<\/a> \u20ac17 \/ \u20ac33
\nFestival pass<\/a> \u20ac55
\nMoving in November website.<\/a><\/p>\n

Somewhere between the ritual, the apocalypse, and the carnival, is FRANK<\/em> \u2013 also short for Frankenstein. In this performance, choreographer Cherish Menzo continues the quest of distortion of the familiar, this time through investigations on decay, breaking down, collapse; and, quite frankly, the figure of the monster. Rather than (re)producing a recognizable portrayal of the monster, Menzo researches the monstruous as an embodiment of beliefs and narratives that terrify and horrify, and yet also attract us. The performance space fabulates on the Baka Gorong, a place where enslaved people in Suriname secretly went to carry out Winti rituals \u2013 demonized under Dutch colonial rule. Four performers on the stage, Menzo is joined by Omagbitse Omagbemi<\/strong>, Mulunesh<\/strong>, and Malick Ciss\u00e9<\/strong> to construct a performance where narrated identities are challenged, where flesh can deviate and be corrupted until it bursts and becomes unbearable.<\/p>\n

This performance is part of Moving in November 6.-16.11.2025. As part of the festival, there will be an open Soup Talks<\/em><\/a> discussion with Menzo and local host on the 11th of November at noon in Caisa.<\/p>\n

 <\/p>\n

Cherish Menzo<\/h3>\n

Cherish Menzo (\u00b01988, The Netherlands) is a performing artist and choreographer based in Amsterdam and Brussels. For her artistic work, she is interested in the transformation of the body on stage and in the \u201cembodiment\u201d of different physical images. Implementing distortion, decay, and dissonance, Cherish attempts to detach bodies from forced perceptions and their daily corporeal realities, underlining the complexity and contradictory nature of images that seem recognizable at first glance. Glitching the \u2018\u2019common\u2019\u2019 lexical, she seeks the Uncanny, the Enigmatic, and the Monstrous to give shape to \u2013 and materialise speculative forms and fictions.<\/p>\n

Cherish graduated in 2013 from The Urban Contemporary program (JMD) of the Hogeschool voor de Kunsten in Amsterdam and since danced in productions by choreographers such as Eszter Salamon<\/strong>, Akram Khan<\/strong>, Leo Lerus<\/strong>, Hanzel Nezza<\/strong>, Benjamin Kahn<\/strong>, Olivier Dubois<\/strong>, Ula Sickle<\/strong>, Lisbeth Gruwez<\/strong>, Jan Martens<\/strong>, and Nicole Beutler<\/strong>. She has been creating her own work since 2016: EFES<\/em> (2016 \u2013 together with Nicole Geertruida<\/strong>), LIVE<\/em> (2018 \u2013 with M\u00fc\u015ffik Can M\u00fcft\u00fco\u011flu<\/strong>), JEZEBEL<\/em> (2019), DARKMATTER<\/em> (2022) and KILLED AND EXTENDED DARLINGS: SUBTLE WHINE<\/em> in the frame of the research program Welcome To Our Guesthouse<\/em> (2023) (Productiehuis Theater Rotterdam).<\/p>\n

She received the Amsterdam FRINGE and FRINGE International Bursary Awards 2019 with JEZEBEL<\/em>. JEZEBEL<\/em> was selected in 2020 for both the Dutch and Flemish Theaterfestival, which presented a jury selection of the best performances of the season and received the prestigious Charlotte K\u00f6hler award by the Prins Bernhard Foundation (Amsterdam) in 2022.<\/p>\n

DARKMATTER<\/em> was selected for both the Belgian Theater Festival and its Dutch counterpart. With DARKMATTER<\/em>, Cherish received the BNG Bank Theater Prize (2023) and the Dutch Drama Jury prize for best direction (2023). In October 2024 she won the Gieskes-Strijbis Podium Prize 2024, the Netherlands’ largest stage prize, aimed at mid-career makers who contribute to the quality and diversity of the performing arts in the Netherlands.<\/p>\n

Cherish Menzo is one of GRIP<\/a>\u2019s artistic leaders. GRIP is a dance organisation led by choreographers Femke Gyselinck<\/strong>, Jan Martens<\/strong>, Steven Michel<\/strong> and Cherish herself.<\/p>\n

 <\/p>\n

Credits<\/h3>\n

Concept, direction: Cherish Menzo
\nCreation, performance: Malick Ciss\u00e9, Mulunesh, Omagbitse Omagbemi, Cherish Menzo
\nSound design: Maria Muehombo a.k.a M I M I<\/strong>
\nVideo design: Andrea Casetti<\/strong>
\nSound and video engineering: Arthur De Vuyst<\/strong>
\nSet design: Morgana Machado Marques<\/strong>
\nLighting design: Ryoya Fudetani<\/strong>
\nDramaturgy: Johanne Affricot<\/strong>, Ren\u00e9e Copraij<\/strong>
\nCostumes: Cherish Menzo
\nText: Khadija El Kharraz Alami<\/strong>, Cherish Menzo
\nArtistic advice: Khadija El Kharraz Alami, Nicole Geertruida<\/strong>
\nSurtitles: Jennifer Piaseck<\/strong>i
\nTechnician on tour: Pieter-Jan Buelens<\/strong>, Arthur De Vuyst<\/strong>, Ryoya Fudetani<\/strong>, Hadrien Jeangette<\/strong>
\nGraphic design: Nick Mattan<\/strong>
\nThanks to: Mildred Caprino<\/strong>, Anne Goedhart<\/strong>, Rodney Frederik<\/strong> & Winti Formation \u201cKrin Ati,\u201d Daryll Geldrop, Ernie Wolf, Sandra Menzo, Shavelie Menzo, Madeleine Planeix-Crocker, Sarah Garnaud, Alice Br\u00f6ker, Johanna Cool, Anne de Andrade, Victor Dumont, Keiko Yamaguchi, Haruna Tanaka, Sensei Taneda, Ima Tenko<\/strong>
\nProduction: GRIP & Theater Utrecht (Dagmar Bokma, Anne Breure, Maartje de Groot, Teun de Loos, Philip den Uyl, Hanne Doms, Seline Gosling, Anneleen Hermans, Tom Hemmer, Leonie Jekel, Myrthe Ligtenberg, Thomas Lloyd, Rudi Meulemans, Lize Meynaerts, Klaartje Oerlemans, Jennifer Piasecki, Florien Smits, Sylvie Svanberg, Bregt van Deursen, Ad van Mierlo, Yoni Vermeire, Nele Verreyken Vincent Wijlhuizen<\/strong>)
\nIn collaboration with: Dance On Ensemble \/ Bureau Ritter
\nInternational distribution: A propic – Line Rousseau, Marion Gauvent
\nCo-production: Kunstenfestivaldesarts, Carreau du Temple – Etablissement culturel et sportif de la Ville de Paris, Productiehuis Theater Rotterdam, Julidans Amsterdam, PACT Zollverein funded by the Ministry for Culture and Science of the State of North Rhine-Westphalia, Festival Montpellier Danse 2025, le Centre Chor\u00e9graphique National d\u2019Orl\u00e9ans \u2013 Direction Maud Le Pladec, Tanzquartier Wien, DDD \u2013 Festival Dias da Dan\u00e7a, festival d\u2019Automne \u00e0 Paris, One Dance Festival, Perpodium
\nWith the support of: Centre nationale de la danse \u00e0 Pantin, BRONKS, KWP Kunstenwerkplaats, l\u2019Atelier de Paris – Centre de d\u00e9veloppement chor\u00e9graphique national
\nWith the financial support of: the Flemish Government, Tax Shelter of the Belgian Federal Government via Cronos Invest, BNG Bank Theaterprijs, Charlotte K\u00f6hler Prijs van het Cultuurfonds, Culture Moves Europe, a project funded by the European Union and the Goethe-Institut<\/p>\n

Photo: Bas De Brouwer<\/strong><\/p>\n

Visit in collaboration: Stoa<\/p>\n

Visit supported by: Government of Flanders, The Finnish Cultural Institute for the Benelux<\/p>\n

 <\/p>\n

\"\"

Fampitaha, fampita, fampit\u00e0na<\/em> by Soa Ratsifandrihana. Photo by Harilay Rabenjamina.<\/p><\/div>\n

Moving in November presents: Soa Ratsifandrihana \u2013 Fampitaha, fampita, fampit\u00e0na<\/em><\/h2>\n

15.11. at 20:00
\n16.11. at 17:00
\nStoa, Turunlinnantie 1, 00900 Helsinki<\/p>\n

Duration: 1h 30min
\nLanguage: French, Malagasy and Haitian Creole, English subtitles<\/p>\n

Tickets<\/a> \u20ac17 \/ \u20ac33
\nFestival pass<\/a> \u20ac55
\nMoving in November website<\/a>.<\/p>\n

Fampitaha, fampita, fampit\u00e0na<\/em> means \u201ccomparison, transmission, rivalry\u201d in Malagasy. On stage, four bodies defy one another, choose each other and purge themselves of the layers of violence that constitute them. Presented as a line of rediscovered dialogue between the children of diasporas and their places of origin, Fampitaha, fampita, fampit\u00e1na formulates a plural narrative in which the fragmentation of these experiences is as vibrant as their reappropriation. In this quartet, choreographer Soa Ratsifandrihana seeks a vocabulary between bodies and history to better understand what links and separates them. Together with her team, guitarist Jo\u00ebl Rabesolo<\/strong> and performers Audrey Merilus<\/strong> and Stanley Ollivier<\/strong>, Ratsifandrihana constructs a new otherness in which bodies emerge from their muteness, offering themselves the possibility of language. Written out before us is a story of bodies that would never have left their islands and together shape a parade of exiles.<\/p>\n

This performance is part of Moving in November 6.-16.11.2025. As part of the festival, there will be an open Soup Talks<\/em><\/a> discussion with Ratsifandrihana and local host on the 16th of November in Eskus.<\/p>\n

 <\/p>\n

Soa Ratsifandrihana<\/h3>\n

Soa Ratsifandrihana is a Franco-Malagasy dancer and choreographer based in Brussels. After studying at the CNSMD in Paris, Soa worked with James Thierr\u00e9e, Salia Sanou and Anne Teresa de Keersmaeker. In 2021, she presented her first solo, g r oo v e in Brussels. The show has been performed more than 60 times and continues to tour in Europe, Canada, Asia and soon in Madagascar. In spring 2024, Soa presented a diptych comprising a radio creation, Rouge crat\u00e8re, and the performance Fampitaha, fampita, fampit\u00e0na<\/em>. Following on from her first solo, she explores the possible intersections between different media, from radio storytelling to choreographic and musical composition. Her practice reminds us that our bodies, like our words, are the bearers of stories which, however we choose to communicate them, must be told. Soa is artist-in-residence at the Kaaitheater in Belgium.<\/p>\n

 <\/p>\n

Credits<\/h3>\n

Artistic direction: Soa Ratsifandrihana
\nChoreography and interpretation: Audrey Merilus<\/strong>, Stanley Ollivier<\/strong>, Soa Ratsifandrihana
\nFootwork phrase: Raza<\/strong>
\nOriginal music and interpretation: Jo\u00ebl Rabesolo<\/strong>
\nDramaturgy: Lily Brieu Nguyen<\/strong>
\nArtistic collaboration: J\u00e9r\u00e9mie Polin Razanaparany aka Raza<\/strong>, Amelia Ewu<\/strong>, Thi Mai Nguyen<\/strong>
\nLight design: Marie-Christine Soma<\/strong>
\nCostumes: Harilay Rabenjamina<\/strong>
\nCostume assistance: l’Atelier Costumes du Th\u00e9\u00e2tre Varia – Fabienne Damiean<\/strong>, Baptiste Alexandre<\/strong>, Marie-C\u00e9line Debande<\/strong>
\nSound design: Chlo\u00e9 Despax<\/strong>, Guilhem Angot<\/strong>
\nInsight on questions of transmission and identity: Prisca Ratovonasy<\/strong>
\nTexts: S\u00e9kou S\u00e9mega<\/strong>
\nOutside eye: Maria Dogahe<\/strong>
\nTour manager: Thomas Roulleau-Gallais<\/strong>
\nLighting manager: Diane Gu\u00e9rin, Julien Rauche (alternating)
\nSound manager: Guilhem Angot, Paul Boulier, Jean-Louis Walfart<\/strong> (alternating)
\nDevelopment, distribution, production: ama brussels – Babacar Ba, Clara Schmitt, Emi Parot, France Morin<\/strong>
\nDelegated production: ama brussels, Th\u00e9\u00e2tre Varia
\nIn collaboration with: M\u00e9t\u00e9ores
\nCo-production: Kaaitheater, Kunstenfestivaldesarts, Th\u00e9\u00e2tre Varia, Charleroi danse, MC93 \u2014 Maison de la Culture de Seine-Saint-Denis, ICI – Centre Chor\u00e9graphique National Montpellier Occitanie \/ Direction Christian Rizzo, Centre Chor\u00e9graphique National d’Orl\u00e9ans-direction Maud Le Pladec, Le Gymnase-CDCN Roubaix, La Place de la Danse-CDCN Toulouse \/ Occitanie, Fonds Yavarhoussen, Tanz im August \/ HAU Hebbel am Ufer, Fonds Transfabrik – fonds franco-allemand pour le spectacle vivant, La Coop asbl, Shelter Prod.
\nA-CDCN (Les Hivernales – CDCN d\u2019Avignon, La Manufacture – CDCN Nouvelle- Aquitaine Bordeaux \u00b7 La Rochelle, L\u2019\u00e9changeur \u2013 CDCN Hauts-de-France, Le Dancing CDCN Dijon Bourgogne-Franche-Comt\u00e9, Chor\u00e8ge CDCN Falaise Normandie, Le Pacifique – CDCN Grenoble – Auvergne – Rh\u00f4ne- Alpes, Touka Danses – CDCN Guyane, Atelier de Paris \/ CDCN, Le Gymnase CDCN Roubaix – Hauts- de-France, POLE-SUD CDCN \/ Strasbourg, La Place de la Danse – CDCN Toulouse \/ Occitanie, La Maison Danse CDCN Uz\u00e8s Gard Occitanie, La briqueterie CDCN du Val-de-Marne).
\nResidencies: ICI – CCN Montpellier Occitanie, La Bellone – Maison du
\nSpectacle, Gemeenschapscentrum De Kriekelaar, Universit\u00e9 d\u2019Antananarivo, KAAP, Le Gymnase-CDCN Roubaix, Th\u00e9\u00e2tre Varia, CCN d\u2019Orl\u00e9ans, Radio Grenouille.
\nWith the support of: Dance Reflections by Van Cleef & Arpels and F\u00e9d\u00e9ration Wallonie-Bruxelles \u2013 Direction de la danse, Wallonie-Bruxelles International, taxshelter.be, ING et tax shelter du gouvernement f\u00e9d\u00e9ral belge.
\nThanks to: Julie Iarisoa<\/strong>, Makwa Joma<\/strong>, Arikaomisa Randria<\/strong>, Naivo<\/strong>, Maria Dogahe<\/strong>, Jonathan<\/strong>, Do sy Bodo<\/strong>, Rado<\/strong><\/p>\n

Fampitaha, fampita, fampit\u00e0na<\/em> premiered at Kunstenfestivaldesarts Brussels in May 2024.<\/p>\n

Photo: Harilay Rabenjamina<\/strong><\/p>\n

Visit in collaboration: Stoa<\/p>\n

Visit supported by: The Government of Flanders, WBI Wallonie-Bruxelles International, The Finnish Cultural Institute for the Benelux<\/p>\n","protected":false},"excerpt":{"rendered":"

Don\u2019t miss Cherish Menzo\u2019s FRANK and Soa Ratsifandrihana\u2019s Fampitaha, fampita, fampit\u00e0na at Moving in November, 6\u201316.11.2025 in Helsinki.<\/p>\n","protected":false},"author":8,"featured_media":21419,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"footnotes":""},"categories":[121,125],"tags":[],"class_list":["post-21414","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-121","category-performance"],"acf":[],"yoast_head":"\nBenelux-based choreographers take the stage at Moving in November 2025 - Finnish Cultural Institute for the Benelux<\/title>\n<meta name=\"description\" content=\"Don\u2019t miss Cherish Menzo\u2019s FRANK and Soa Ratsifandrihana\u2019s Fampitaha, fampita, fampit\u00e0na at Moving in November, 6\u201316.11.2025 in Helsinki.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/finncult.be\/benelux-based-choreographers-take-the-stage-at-moving-in-november-2025\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Benelux-based choreographers take the stage at Moving in November 2025 - 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